PINTANDO EN PEDRERA








Bruno, by Libéra Angel Guillèn

 

Pintando en Pedrera, is the title of the exhibition we watched this morning, in Sévilla, with 2 talented painters, Libéra Angel Guillèn and José Ramón Ramos Gómez-It is the last day of the exhibition, the painters were not there,and I have to say it's hard to find them on Internet, several people with those same names live in this world!Anyway, I liked this pantings.

mixed média

José Ramón Ramos Gómez

Happy hour

OIL 6"x10"

This tiger will never reach this pond in the jungle, for he was born and lives in a zoo.I preferred, for my painting, to suggest another living environment.
The original picture was supplied by Barb Benik,for her february's chalenge in Studio Atelier.
I am going to make a break in my paintings, we are packing to go to Sevilla, Spain, for a 15 days stay, and I leave my brushes at home, for once.(If I don't change my mind before our departure, tomorrow morning!).
So, see you soon!

En route!

OIL ON BOARD 5"x7"

Here, I painted this cityscape for Studio notes , where Terry Miura asked us to use only 2 values at least at the beginning, ignore the details, choose one dominante color, avoid too numerous sharp edges.(This point was a little obscure for me).
I tried to follow this advice, chose french ultramarine as basic color.I had a black underpainting, as there was something else before.

Where are the children? hen #1



oil 6"x6"

Here is , maybe, the first of a serie of little animals, as hens, ducks, rabbits that I like very much. It is a change from my usual still lifes!

Valentine's cupcake

oil 7"x9"

I painted this cupcake for DPW challenge of this week. I intent to learn to make them, one of those days...

TOMATOES



oil on canvas paper 7"x10"

 For this painting, Lela Stankovic (PADT)asked us to be careful in this composition with the lost and found edges;our aim was to engage the viewer's mind as he gets subtle hints about what is not visible.
The advice was:
Avoid “fruit bowl effect” , having everything screaming for attention with an equal vibrancy. Slightly colored “grays” and “browns” are still very valuable balance in a painting. They allow our vibrant lights to thoroughly sing.

It was an interesting challenge, and I was happy to paint that.

Fresh eggs

oil on board 7"x10"

This week, we were asked for the  DPW challenge to paint a subject white on white.I took the picture given par Ann Feldman, because it pleased me.I have wanted to paint eggs for a long time. So, it's done!
Of course, here our eggs are not white, and I wanted to give   their right colour for two of them.I hope you 'll like them!

Go!



OIL, 5,5"x 8,30"

 I painted this cyclist for the challenge of DPW this week. The subject was on wheels. It was a rather precarious exercise, given the drawing of the tilted body, in short, but interesting.

Happy hour

OIL 5"x7"

Here is my corrected version of this man watching the lake.It will be the last one, I have to do something else, now!

A blue shirt, for the moment.

oil on paper 7"x5"

This man was quietly sitting on the shore of Harrison Lake, BC;
we spent one night in late September at Hot Springs Resort, enjoyed the warm swimming pool (38-40°), " an ideal temperature for promoting the relief of general aches and stress".It's a very nice place, at 95km from Vancouver dowtown..
I painted it for DPW,we were asked to painted someone seated.I cropped my picture, there were another man by him;then  I cropped my painting, because the lake was too important , with islands in the distance, and nothing on the water...for the moment I had better showing only a part of it..
I  noticed that it was too blue, so I decided to change the shirt's color.It's a pity, because  the beginning was promising, and I was enthusiast!
I don't want to admit defeat, so maybe tomorrow I'll be able to post it with a new shirt!

An unfinished book

oil on board 7"x5"

This one was painted for DPW challenge;we had to paint something with the color "tangerine" called    the  2012 color by Pantone.It took me ages to find 1-my subject 2-how to show it.Of course, I could have taken a blue cloth and paint it in the right color, but I knew I had this tee-shirt in my wardrobe, worn for a long time.But where to put it, and so on?At the end, a Regency dining-room chair suited me-my husband is fond of antique English chairs-I painted it more quickly than my other still lifes;maybe the reason is I love the interiors;each time I watch one painted on a blog, I think that  I'd like to do something like that!
So, there is my first piece of interior, and I am quite satisfied, even if I see some improvements to do.(on another canvas).

le pâté Hénaff



oil on canvas 6"x6"

This small oil was done for DPW challenge;this week, we were asked to think about our breakfast.
Of course, I would not recommend this recipe for a well-balanced meal, but it's just a glance at my region of origin, Brittany.
This product has been the same since 1914,and the design of the tin has not changed.Futhermore, it tastes delicious with a fresh baguette!
It is not rare, here, to find several good- smelling bakeries,  in the smallest village...

BACK HOME

Here we are, our stay in Barcelona is behind us, it was so beautiful, we enjoyed it.I am now going to try to paint again, if it still possible...

IN BALANCE

oil on wood 8"x10"

This painting was done for Rookie Painter challenge on a wood panel;there was something else before, which didn't deserve to stay...and explains the irregularities of the surface.
I wont't paint for a moment, because  tomorrow I am going to fly to Barcelona, Spain (only one hour flight from Bordeaux).I 'll be happy to spend Christmas  and stay one week with my daughter, who has been living there for more than 2 years now.It's the first time we'll visit Barcelona, and we are very eager.
So, have a Merry Christmas!

Flowers and wine,for an engagement.



oil on paper, 8"x10"

I was largely inspired by Fantin-latour and his flowers in his still life, called " Engagement " while leaving aside a cup of fruits for which I missed affinities, or rather skill..He was used to keep a neutral backgound.; for my part I  mixed red, blue and white colors  over a black underpainting.